by Cassandra Demski, Curator of Education

Artist Ming Fay will create a site-specific installation for Grounds For Sculpture that will open this May. His work will be the inaugural exhibition in the newly designed East Gallery inside the Seward Johnson Center for the Arts. This is sure to be a stunning creation in this new space!

Ming Fay was born in Shanghai and raised in Hong Kong. In the 1950s, Ming Fay came to the United States to study art, which resulted in a MFA from the University of California, Santa Barbara. In addition to being a working artist, Ming Fay currently teaches sculpture at William Paterson University in New Jersey.

This January, several GFS staff members were invited to visit Ming Fay’s two studios. The first stop on our adventure was Ming Fay’s studio in New York City. The volume of work in this studio is astounding! Pieces are scattered on the floor, on tables, hung on the walls and even on shelves near the ceiling. All of his art has an organic, natural theme that wholly permeates his body of work. Many pieces are incredibly realistic; larger-than-life-size fruits and vegetables, including pears, cherries and my favorite: bright red chili peppers. Other works are displayed as mobiles, with long curving branches connected and dangling translucent shapes evoking leaves and plants. Ming Fay was a gracious host who served us all green tea. Thank you Ming!

     

Next, we loaded into our van and traveled to his second studio space in New Jersey. Although the first studio is spacious by New York City standards, it is small in comparison to his space in Jersey City which is located in a building being transformed into a self-contained, urban artist colony in which many different artists rent space. Ming Fay’s studio has great natural light from a wall of large windows and a high ceiling that provides the perfect atmosphere for his sculptural installations. Near the entryway is a large work hanging from the ceiling and forming almost a wall. This sculpture is comprised of branches, resin castings and various other objects. Ming Fay said that he is always creating and that he works in both studios; this studio, however, seems to be bursting with creativity. Small figures of humans and horses made of wire and then coated in spray foam shared space with pears and other fruit.

As a professor, Ming Fay is a great speaker who was willing to answer all our questions about his process and to provide us with a tour of both spaces. Despite enjoying great success, Ming Fay is very personable and easy to talk to. Since his work is so site specific, it is hard to know what his piece at Grounds For Sculpture will be. I am certainly excited to find out!

For more information, please visit mingfay.com

By Jenn Korolenko, Education Assistant

Workshops and so much more at Grounds For Sculpture: January 2012

Spark your inspiration this winter at GFS by taking a workshop or attending one of our demonstrations! Here’s what we are offering to kick off 2012…

Workshops…

Thursday, January 5th
Wonders of Winter Photography Workshop
Dates: Thursdays: 5, 12, 19, 26
Time: 10:30am–12:30pm
Discover the beauty of Grounds For Sculpture in winter! Learn the elements of composition, critiquing, and tried and true techniques for taking stunning landscape photographs. Each session of this four-week workshop includes both classroom time and outdoors photographing, weather permitting. Please dress appropriately. An SLR or digital camera is required. Open to students of all skill levels. Instructor: Sally Davidson and Larry Parsons.

$60 Members; $70 Non-members.

Saturday, January 7th
Transforming Books into Art: Altered Books Workshop
Time: 10:30am–4:30pm
Make a used book a personal work of art at this one-day workshop taught by an area artist who specializes in book arts, handmade papers, and printmaking. Consider the book as your canvas and explore how to use painting, stamping, and collage to create something truly unique. Books and art materials are included in the registration cost. Students may personalize their book with photos and small decorative items from home. Instructor: Kathleen Lang Metaxas.

$110 Members; $120 Non-members.

Tuesday, January 10th
Vinyasa Yoga
Dates: Tuesdays: January 10, 17, 24
Time: 10:30am–12pm
Vinyasa yoga is a movement-oriented style of yoga. Each pose moves to the next – guided by your breathing. It is fun and easy to begin and creates strength, flexibility and a connection to a peaceful mind. These workshops are designed for students of all abilities, from the beginner to the advanced. This three-week class, taught by Instructors from the Prancing Peacock Yoga Studio, will incorporate meditation techniques and using breath to coordinate movement and body alignment. Please bring a yoga mat, blanket or towel and water.

$40 Members; $50 Non-members.

Wednesday, January 11th
Faux Plein-Air Watercolors Workshop
Date: Wednesdays: January 11, 18, 25 and February 8, 15, 22
Time: 10:30am-1:30pm
Plein-air roughly translates to “in the open air” and traditionally means paintings that are made outdoors. The ability to distill quickly what you observe and paint in a simple manner will lead to plein-air style success. Although this six-session class will take place indoors, students will use the stunning vistas upon Grounds For Sculpture’s landscape from our many buildings for subjects and inspiration. So come imagine it in the height of summer and learn to use watercolors to paint in plein-air style.Materials are included in the registration fee. Instructor: Gail Bracegirdle.

$215 Members; $235 Non-members

Saturday, January 14th
Paper Cutting in Chinese Style
Time: 11am and 12pm
Learn the basics of paper cutting from master paper cutter Hou-Tien Cheng, whose astounding work is featured in the Education Gallery. In each of our two 45-minute sessions, adults will learn the basics of using paper cutting scissors and practice a variety of techniques under the expert guidance of the artist. Then watch in awe as he creates nearly anything you can imagine in a matter of seconds. Registration fee is per session, per person. Instructor: Hou-Tien Cheng.

$15 Members; $20 Non-members.

Saturday, January 28th
Light, Shadow and Form in Photography Lecture and Workshop
Time: 1-5pm
Designed for photographers who have a basic understanding of how their camera operates and are now looking for something more, this workshop will teach you to see your favorite subjects in a new way by understanding how light and shadow define them. Learn how to see the quality and quantity of light as it relates to shadow and composition. Discussion and demonstration will refer to photographing people, pets, flowers, close-ups, landscapes, architecture, and travel subjects. Instructor: Nancy Ori.

$60 Members; $65 Non-members

Demonstrations…

Saturday, January 14th
Chinese Calligraphy Demonstration
Time: 1–4pm
***Free with park admission***
Observe master calligrapher Michael Shiue as he demonstrates the movingly beautiful traditional art of Chinese calligraphy. Using only rice paper, brush pens, and Chinese ink, Shiue will astound and transfix you with this ancient Chinese art form.

Sunday, January 22nd
Ice Sculpture Demonstrations
Time: 2–4pm
***Free with park admission***
Let the chips fall where they may! Watch as a group of astounding artists carve super-hot sculptures from frigid blocks of ice. All true masters of this craft, you’ll be amazed at what they create and how they create it!

For the kids…

Saturday, January 7th and January 21st
Tots on Tour!
Time: 11am and 1pm
Bring your toddler to learn about sculpture through hands-on activities. Listen to a story, become park explorers, and make original works of art. Rain or shine! Lesson and theme change monthly. Instruction designed to meet learning needs of 3-5 year olds. Children ages 3-5 (only) must be accompanied by an adult. Space is limited and on a first-come, first-serve basis. Meets in the Visitor’s Center. Instructor: Joslyn Johnson.

***Free with park admission.***

By Elizabeth Berkowitz, Coordinator of Volunteer Services
November 10, 2011 – American Visionary Art Museum, Baltimore, Maryland

 

We had perfect weather for our first trip to Collegeville, Pa. last month, with a warm sunny day that was perfect for the walking tour of Ursinus’ outdoor sculptures and the lovely town of Skippack, Pa. for lunch. While our trip to Baltimore, Maryland did not have “perfect” weather, we did have a perfect day.

Fog greeted us at the parking lot of the AMC 24 movie theaters in Hamilton and followed us most of the way to Maryland. There, the sun peeked out for a bit and the wind kicked up but that was short lived. By the time we reached the American Visionary Art Museum it was again overcast and threatening to rain…perfect timing!

We were greeted by a toothbrush welcome mat, and were soon on our tour of “AVAM.” It is indeed one of visionary art. One piece was a huge ball of bras, 18,000 of them, wound like a ball of rubber bands and each had a tale behind it. Some of them were displayed above the ball; they told of nursing bras, of women fighting breast cancer and even included a photo of a pig using a bra for a hat!
Onward now, through the museum to visit a model of the Lusitania made from 193,000 (or more) toothpicks and another toothpick sculpture that depicted many attractions in San Francisco. All of those toothpicks came from special occasions and were used by the artist!

We saw sculptural capes knitted by developmentally challenged artists, as well as a quilt depicting many aspects of the Hebrew Calendar handcrafted by a Rabbi whose family had wanted her to go into medicine. Each piece had a unique narrative, not unlike the stories about the works that we here at GFS share with our patrons.

Our guides at AVAM were eager to share ‘their’ art with us. They had a lot to share but, unfortunately, we had a schedule to keep!

Lunch was on our own; some braved the elements and wandered off towards the Inner Harbor a few blocks away while others stayed to enjoy the museum restaurant fare. After lunch we poked through the Sideshow gift shop….another unique area of the museum. The gift shop was filled to the brim with books, small trinkets, old time candy as well as unique jewelry and art painted by some of the artists whose works grace the museum walls.
All too soon it was time to board the bus and head back north. One more surprise awaited on the way home: we were treated to having the bus weighed at the weigh station in Perrysville, Md! That added yet another fun and unique experience to a day filled with visionary art, laughter and great company.

Spring will be here before we know it. Keep your eyes open for the next trips that will be coming this spring. Grounds For Sculpture will be happy to have you join us for our next unique experiences.

By Cassandra Demski, Curator of Education

Join us for Winter Wonders at Grounds For Sculpture
This winter is sure to be full of excitement at Grounds For Sculpture! As always, we are open year-round, but for a special treat this December the park hours will be extended on Friday and Saturdays until 9pm. This will provide a fantastic viewing opportunity for patrons to enjoy our festive holiday lighting throughout the park. This is not to be missed! We are also offering a widae variety of workshops, concerts, performances and special events during December, January and February to give you plenty of reasons to spend your winter at GFS. For a full list of Winter Wonders programming, please visit our website at www.groundsforsculpture.org and click on Calendar.

A few selected highlights of upcoming programs include:
NOVEMBER
Lights On!
Saturday November 26th, starting at 1pm
Lights On! is our Winter Wonders kickoff event! At sundown watch the park come ablaze with light as our holiday lights are turned on for the first time of the season. Stroll its paths as trees and buildings dazzle with thousands of fairy lights and holiday magic. On this day, take the family on a horse-drawn wagon ride to delight in the sparkling splendor and participate in two hands-on art workshops! Be there for the award ceremonies in our 7^th Annual Gingerbread House Contest and warm up with songs of the holiday in the late afternoon. And don’t miss the opportunity to shop for that special someone at the Toad Hall Shop & Gallery Artisan Boutique.

Lights On!
Sunday November 27^th, starting at 11am
On the second day of Lights On!, enjoy special brunch selections at the Peacock Café and don’t be late for our afternoon Holiday Tea Party from 1-3pm (reservations required by calling 609.890.6015). Plus don’t miss the afternoon musical performance!

DECEMBER
Holiday Wreath Decorating Workshop
Saturday December 3^rd, 1-3pm
Make your own holiday decorations! In this class for adults, you’ll create your own very special evergreen wreath with berries, stems, ribbons, wire and more to welcome guests to your home or make a one-of-a-kind holiday gift! $40 Members; $45 Non-Members. To purchase, call (609) 586-0616.

Holiday Origami Demonstration
Sunday, December 4, 1-4pm
Watch origami master April Zay create intricate and amazing works of art using this ancient form of paper folding. If you like this demonstration, April’s annual holiday gift box and cards workshop on Saturday, December 10 is a must! Seating is limited and on a first- come, first-serve basis.

Opera NJ: Holiday Fare
Friday, December 9, 7pm
Get into the holiday spirit! We’ve created our own GFS tradition as Opera NJ, the Garden State’s premier opera company, returns to perform a free holiday concert to excite the sense of adults and children alike and fill you with the holiday spirit. A special dinner is available before the concert at the Peacock Café.

Holiday Candle-Making Workshops for Kids
Saturday, December 17, 12 and 1pm
Candles are a distinctive feature in many cultures’ holiday celebrations. In each of these workshops, children will learn how to make a different type of candle and get to bring home their creations (2 candles per child per session)! At noon make aluminum foil molds from which candles will be created. In the 1pm workshop, kids will learn how to create floating candles! First-come, first-served. Materials fee $5 per child, per session, paid at the workshop.

JANUARY
January will feature winter photograph workshops, altered book workshop, faux-plein air watercolor workshop, paper cutting workshops, calligraphy demonstration, Nai-Ni Chen dance performance, yoga classes, gallery talks, book clubs, library book sales, and more! Please check back for more details!

By Jenn Korolenko, Education Assistant

On Saturday, October, 1st I was lucky enough to attend the opening reception and ribbon cutting for Grounds For Sculpture’s new seven acre Meadow and the thrilling, nearly yearlong exhibition of Steve Tobin’s work, Arial Roots.

 

The afternoon began overcast and cool with a soundtrack of jazz and the gathering of guests, staff and volunteers under the shelter of a huge white tent.  All in attendance enjoyed refreshments provided by Rat’s Restaurant and the Peacock Café as well as the company of one another in anticipation of the ribbon cutting ceremony that was to follow this lively reception.

The opening of Tobin’s exhibition and GFS’ Meadow marks months of tireless planning and execution on behalf of the

Our first patrons enter the Meadow after the ribbon has been cut.

curatorial, administrative and grounds keeping staff.  As our Executive Director, David Miller noted, the rains presented an even greater challenge to an already ambitious project.  We can look forward to seeing this outdoor gallery change with the seasons in conjunction with the already awesome works of art in the park.

 

photo by J. Kendall

By Elizabeth Berkowitz, Coordinator of Volunteer ServicesThe Education Department of Grounds For Sculpture has reintroduced trips to other area art venues.  On October 6th twelve fortunate volunteers, docents, members, and a lucky staff person enjoyed a private tour of the Philip and Muriel Berman Museum of Art at Ursinus College in Collegeville, Pennsylvania.  Our tour guide was the director of the museum, Lisa Hanover, who spent over an hour with us, walking the beautiful campus and speaking of the sculptures as if they were her friends.  Each one has a story behind it, like the many sculptures we have here at GFS.

photo by J. Kendall

The October weather was perfect; the tour was lovely and went so fast we were hoping for more. It was great to have the tour and see things from the perspective of guests: the “leave-them-wanting-more” idea….  I will be planning a second trip to the Berman.

After our time at the Berman, we hopped back in our vehicles and meandered through the countryside to Skippack, Pa. where we chose a place for lunch and checked out some of the shops along the main street.  We had some ups and downs on the trip (the countryside was hilly), but all in all it was a wonderful day spent with friends old and new.
If you are sorry you missed this trip, not to worry, there are still spots available on the bus for the November 10th trip to Baltimore’s American Visionary Art Museum.  The $60.00 fee covers the bus and entrance to the museum. While there, lunch is on your own.

photo by J. Kendall

Just think: a trip to Baltimore without the hassle of driving, parking and filling your gas tank!  To make reservations call Elizabeth Berkowitz at 609-586-1182.

by Jenn Korolenko, Education Assistant

Sages" by Magdalena Abakanowicz, 1988 and 1990, cast bronze, patina

“Arch II” by Elizabeth Strong-Cuevas, 1993, fabricated, brushed aluminum

On September 17th, 2011 we had lovely weather and the pleasure of conducting yet another Curator’s Walk at GFS. Virginia Steel (our curator of exhibitions) led us through over a dozen of her favorite pieces.

“Facing Couple” by Itzik Benshalom, 1999, cast bronze

“La Casa de Bernarda Alba” by Jay Wholley, 2011, cast and fabricated bronze

“Potpourri” by Anthony Caro, 1976-77, steel, rusted and varnished

"Roots" by Steve Tobin, 2005, painted cast bronze

Photographs by Jenn Korolenko

By Marci Gelb, Volunteer Docent

On a beautiful early autumn day, 18 docents from Grounds For Sculpture drove out to Quakertown, PA for a tour of Steve Tobin’s studio.Steve and his assistant, Ruth Berman, graciously showed us around his entire studio and the outdoor grounds which hold many examples from Tobin’s vast range of series — glass Cocoons, bronze Roots, bronze Syntax balls, bronze cow and buffalo bone walls, forest floor, Lantern House, exploded clay pots and his current steel Roots.  Steve explained that this eclectic collection of pieces really follows his evolution as an artist.  He started as a glass artist and then, feeling that it was becoming too much of a craft, he wanted to become more expressionist.

There was a bronzed root sculpture, similar to the one at the Grounds, outside the studio door. Steve’s bronze Roots series calls to mind the unseen power of nature.  Steve dug up the actual roots of a tree and used the lost wax process to cast the roots in bronze.  The reddish patina on the bronze is to remind us that the roots are alive, just like the arterial system of our body.  Steve also used his artistic creativity to make the roots in the sculpture grow down vertically instead of just spreading out laterally as the actual roots had.

After he finished his 9/11 Trinity Root Memorial, which is currently located between Wall Street and Broadway in NYC, Steve stopped making bronze roots and started using steel.  The steel roots take his art from naturalism to modernism.  His steel roots are inspired by Asian calligraphy.  Steve is reminded of specific Japanese/Chinese characters, and then makes ink drawings of them.  (I was told by my son, who is studying Chinese, that Steve’s sculptures remind him of the Chinese character ren, which means people.)  From the ink drawings, he makes a six foot high model.  He gets pipe bent to his specifications and then plays around with the pipe.  A staff of ten help smooth the joints between the pipes.  It takes one man approximately one month of work to smooth a joint.  Steve’s first steel Roots were black, to mimic the sumi ink drawings he makes on rice paper.  Once, though, he saw one of his pieces with just the primer painted on and decided to make white “ghost roots;” these contrast with the dark shadows they cast.  Just six months ago, he began painting his roots orange because he was reminded of the rust color when thinking about the raw nature of material and also liked the different tones and shadows cast by the sun on the orangey-red color.

Steve sees these Roots sculptures as windows into the sky where the actual object is not as important as man’s relationship to nature as he views the work.  Steve also derives a sense of energy from these sculptures.  He describes the large orange steel Root at the Grounds is as follows: “…all the roots break into arches where one arm is reaching up to the heavens.  This gives a sense of movement – like that of a fencer – to the piece….It divides the sky into quadrants.’’

After the tour, we ate a scrumptious lunch at The Red Lion Inn just down the road, then headed home through the autumn afternoon, eager to revisit the Grounds and look again at Tobin’s Aerial Roots on display there.  A wonderful time was had by all!

Check out the following recent additions to the pop-up silent auction gallery for October 15, 2011! Remember, even if you can’t attend, you can place an Absentee Bid. Click here to download the form.

Steve Tobin
Bang Pots
Ceramics, glass
approx. 4”x 4” x 4” each
Starting bid: $100 each

Check out this short video of Tobin making bang pots.
http://www.stevetobin.com/bangmov/ExplodingEarth_720x405.24fr.mov
On October 1, 2011 Grounds For Sculpture inaugurated the new 7-acre Meadow with the exhibitionof Steel Roots by Steve Tobin. Steve has worked in many mediums including ceramics, glass, bronze, and steel. These bang pots are explorations of form exploding into chaos. Each one is unique and made by inserting a small explosive into clay. They emerge from their transformative moment “full of emotional, aesthetic, and sensual conviction, and deeply alive.” Steve Tobin graduated from Tulane University in 1979 with a BS in mathematics. From there, he pursued his artistic career with study in glass at Pilchuck Glass School, WA and Penland School of Crafts, NC. Teaching appointments and fellowships in glass followed, and in 1989, he became the first foreigner invited to build his own studio in Murano, Italy. In 1994, Tobin built his first bronze foundry, and began to cast bronze. Tobin’s work has been exhibited at numerous museums and outdoor venuesincluding: The American Museum of Natural History, New York City; Lincoln Park, Chicago, Illinois; Laumeier Sculpture Park, St. Louis, Missouri; and Sculpturesite Gallery, San Francisco, California. The artist currently works and resides in Bucks County, PA.

Roslyn Rose
The Big Horn II
Etching and embossing
31” x 22”
Starting bid: $125

This print was donated by the Printmaking Center of New Jersey. Roslyn Rose is a New Jersey native who lives in Hoboken. Rose’s art work is in the collections of many museum and corporations including the Newark Museum; NJ State Museum; NAWA Collection at Voorhees-Zimmerli Art Museum; Stevens Institute; Noyes Museum; and the McAllen International Museum in Texas. Rose is a cofounder of the Hob’art cooperative gallery in Hoboken and is represented by Ceres Gallery in Manhattan.

Exhibition opening receptions at Grounds For Sculpture are opportunities for our Members and invited guests to have a first look at the new work on display, meet the artists; and enjoy music, food, and the company of other GFS supporters. The next reception will be October 15, 2011, from 2 – 5 pm,celebrating the opening ofWhite Hot Expressions in Iron, a group exhibition of work cast and fabricated in iron;Steve Tobin Creating Steelroots; Instrumental Transitions by Michael Dunbar;the 12^th annual International Sculpture Center’s Outstanding Student Achievement Awards; and in the Education Gallery, a group exhibition, Glass BooksHealing Expressions.  The exhibitions will be open to the public on Sunday, October 16.

During the event on Saturday, GFS will present a special Silent Auction fundraiser featuring a pop-up gallery of diverse work by our artist friends. 30% of each purchase will go to support exhibitions, educational programs, and family events at Grounds For Sculpture. Artists in the auction have significant historical ties with the organization; many have worked at the Johnson Atelier and maintain studios located at Grounds For Sculpture. Others are a part of our extended artist community and are excited to help support GFS with their art. All exhibit a high quality of work that will add value and enjoyment to the auction winner’s collection.

Take a look and come ready to bid on the exceptional art at great prices that will be available on October 15, 2011 at GFS. Bidding ends at 4:30 pm.

NEW! Open to Members and Non-members:  If you cannot attend the event, but would like to bid on the art you see below, you may place an absentee bid! Download, fill out the form, and email or fax it in! Please be sure to read all info carefully.

Oki Fukunaga

Born in Japan, Fukunaga earned a Bachelor of Fine Arts from the Osaka University of the Arts in Osaka Japan.  He then traveled to the U.S. and became an apprentice of artist Rory Mahon in the sand department at the Johnson Atelier. He currently works as a sculptor and finisher at Advanced Stone Technologies in Mercerville, NJ.  www.okifukunaga.com

Oki Fukunaga Golem, 2011 Cast iron 14” x 12” x 4” Starting bid: $1430 Golem is an ancient icon which was made of human wisdom, knowledge, and technologies. It helps humans, however, if used the wrong way, it will hurt humans.

Oki Fukunaga Bird, 2010 Cast iron 18” x 8” x 6.5” Starting bid: $1000 The bird is a guardian which protects from bad vibes.

Kate Graves

Kate Graves mines the rich veins of material culture to create new art for the future. Current projects include the commission of three fabricated metal “Healing Tree” sculptures and two wall mounted “Building Block” quilts at the Capital Health Hospital in Hopewell, NJ. www.kategraves.com

Kate Graves Wahine, 2003 Bronze 2.5” x 2.5” x  10.5” Starting bid: $285 An anthropomorphic representation of a kangaroo  and joey perched on top of a monument.

 

 Mike Gyampo

Mike Gyampo is a third generation artist, in a family of artists and educators. Born in Ghana, West Africa, Gyampo studied art at the college of art, University of Science & Technology. He worked as a TV set designer and Secretary of Ghanaian artist before joining the Johnson Atelier in 1983. He has participated in over 120 exhibitions and is included in collections in both the private and corporate sectors. He maintains a studio at Grounds For Sculpture.

Mike Gyampo Captain Sleepy, 2003 Wood-Urban 35” x 12” x 10” Starting bid: $975 This sculpture was named and inspired by a Trenton police captain caught sleeping on the job.

Mike Gyampo I Am Watching You, 1998 Wood-Urban 23” x 9” x 10” Starting bid: $550 Ananimal surveying its environment.

DJ Haslett
An award-winning artist, photographer, published poet and musician who is self-taught, Haslett started his art career in 1999. To date he has 13 solo shows to his credit, and has had work accepted in 25 juried shows including the Bucks Magazine “It’s About Art Exhibit” at the Bucks Gallery of Fine Art, The Ellarslie Open at the Trenton City Museum, The Da Vinci Art Gallery’s “Cut it Up” exhibition in Philadelphia, Gallery 125 in Trenton and The Mercer County Community College Gallery. His work has also been exhibited at the Prallsville Mills, Artworks, Sculpture Association of New Jersey, Straube Center and Numina Gallary at Princeton High School invitational exhibitions along with numerous member and group shows.

DJ Haslett Cannage, 2008 Mixed media found object 16” x 20” x 1.5” Starting bid: $99

DJ Haslett Gathering Guitars, H-12, 2011 Acrylic on canvas board 24” x 18” Starting bid: $99

 

GyuriHollósy
Hollósy was born in Bavaria, Germany.  He is descended from two Hungarian painters, Simon Hollósy and CsontváryTivadarKosztka.  In 1955, his family relocated to Cleveland, OH.  He studied at the Cleveland Institute of Art, and with sculptor David Hostetler at OhioUniversity wherein he received his BFA in 1969. Upon earning his MFA from Tulane in 1977, he began teaching at various universities around the US; and at the Johnson Atelier Technical Institute of Sculpture in Mercerville, NJ as Academic Program Coordinator and Gallery Director until 2003. He maintains a studio at Grounds For Sculpture.www.hollosy.com 

GyuriHollósy Adam, Eve and Us, 1996 Bronze 24” x 9” x 8” Starting bid: $5,150

GyuriHollósy Blue Wave, 2006 Bronze 13” x16” x 17” Starting bid: $5,450

Bruce Lindsay

“Based on my unique background in public art, contemporary sculpture, and the foundry, my practices range from conceptual development to the physical realization. A graduate of Bucknell University and a veteran of the Johnson Atelier, I engage in commissions, collaborative projects, and independent endeavors. Consultation and production services are available upon request.” Bruce maintains a studio at Grounds For Sculpture.www.integralsculpture.com

Bruce Lindsay Lotus Leaf, 2011 stone, stainless steel 3” x 12” x 12” Starting bid: $1,715 A single solid stainless steel leaf form on a black granite base.

Bruce Lindsay Lotus Leaf and Seed Pod, 2011 stone, stainless steel, tin, silk 60” x 20 x 20” Starting bid: $2,570 A free-standing composition inspired by the lotus pond at the Grounds For Sculpture gazebo.

Ruthann Perry

“I am a sculptor currently working in wood and found objects, including recovered architectural details and foundry molds. Most recently, horses have been my primary subject, although I’ve also created sculptural landscapes. Reusing wood, particularly that which has been shaped by man and worn by time is important to me, as these are the same qualities I see in the horses I love so much.”

Ruthann Perry Balthazar, 2011 Wood, found object 23” x 19” x 9” Starting bid: $420 A horse head made from architectural wood pieces.

Michelle Post
“With no formal training in the arts, I’ve honed my artistic prowess by seeking out those who could teach me what I wanted to know about any given project.  Through the years, I have picked the brains of many admired sculptors, photographers, printmakers, painters, dressmakers, designers, craftsmen, writers, sign makers, and a variety of cantankerous beings I have met in my journeys through this world.” www.michellepost.net

Michelle Post Dance of the Recently Dead, 2008 Linocut 12” x 12” framed Starting bid: $65 Black and white print of a woodthrush found dead on the artist’s studio deck. Michelle Post Head and Shoulders, 2010 Styrofoam, plaster gauze, acrylic mediums 30” x 17” x 12” Starting bid: $715 Carved head of a man with a mustache.

Dana L. Stewart

Dana Stewart was born and raised in California, where he developed interests in art, animals, and surfing.  He pursued an education in the arts and received a Master of Arts degree from San Diego State University.  Early works were executed in ceramics, welded metals and other various materials.  Accepting an invitation from the late Herk Van Tongeren, former president of the Johnson Atelier Technical Institute of Sculpture, Stewart traveled to Hamilton, New Jersey, to research ceramic shell casting techniques.  A scheduled short visit turned into permanent residency on the East Coast and an appointment in 1977 to head of the Johnson Atelier’s ceramic shell department.  Ten years later, he became proprietor of Stewart Sculpture Casting in Lambertville, New Jersey.  Stewart has exhibited regularly in New Jersey since 1987. www.danalorenstewart.com

Dana Stewart Sue’s Nightmare, 1999 Bronze 20” x 11” x 6” Starting bid: $2600 Beast with a vicious grin. “After seeing the Tyrannosaurus Rex known as Sue, I wondered what would a beast like that be frightened of?Perhaps a little ankle biter.” This is an edition from the same sculpture which is on exhibit in the park.

Scot W. Thompson
Scot Thompson’s long‐standing fascination with sculpting different elements together started during his youth in Colorado while working in his grandfather’s wood and metal shop. In 1991, Thompson began serving in the army and traveled throughout the Middle East participating in the Desert Shield and Desert Storm operations. His exposure to pain, fatigue, and destruction only heightened his fascination with these concepts, and has been constantly reflected in his artwork.In addition, his obsession with distillation and abstraction of figures born from a unique process combining wood, iron, bronze and other strong and natural materials has continued. In 2001, he began an apprenticeship with Andrej Pitynski at the Johnson Atelier, becoming part of the teaching staff in the sand foundry. Later he worked and taught at the Digital Stone Project.  He currently lives in New York and maintains a studio at Grounds for Sculpture. www.scotthompsonartist.com

Scot W. Thompson Fast Food, 2001 Cast iron 20” x 14” x 4” Starting bid: $2,300 The first iron sculpture made by Thompson featuring a psychological still life.

 

Clifford Ward
Clifford Ward is a sculptor/painter who has exhibited extensively in galleries and museums. Having been a member of the technical teaching staff at the Johnson Atelier, he has taught many workshops in a special technique for using plaster bandage that was developed by the artist. Clifford maintains a studio at Grounds For Sculpture.

Clifford Ward Awakening, 2009 Mixed media (plaster bandage) 22” x 15” x 15” Starting bid: $570 Large egg-like piece with directional crayon drippings on a base.

Clifford Ward Masked Tattoo,2009 Mixed media (plaster bandage) 17” x 8” x 13” Starting bid: $1,570 Anthropomorphic mask.

Andrew Wilkinson
“My dual background in fine art and commercial art, specifically marketing and media communications, has led me to develop a style that borrows from both popular culture and subcultures. Combined with an interest in Surrealism and Pop Art, my work explores the re-contextualization of ordinary objects, where a conscious choice of materials alters the perception and function of such quotidian objects. I typically draw inspiration from my childhood memories and notions of cultural displacement. In addition, much of my art communicates a social critique of mass consumption by exploiting the paradox of consumerism and the power of iconography. I strive to make work that mimes the concepts and aesthetics behind manufactured products and that which engenders rumination on the boundaries between ‘high’ and ‘low’.” www.arwilkinson.com

Andrew Wilkinson Paper Bag, 2008 Bronze 10” x 5.5” x 14” Starting bid: $1,200

Andrew Wilkinson Gnome, 2009 Aluminum 2.5” x 6.75” x 2” Starting bid: $375

Autin Wright

Autin Wright, who is originally from Kingston, Jamaica, has been a staff member of the Johnson Atelier Technical Institute of Sculpture since 1993, where he is currently the technical supervisor for Paint and Patina.  In 1985, he earned his Fine Arts and Art Education Diploma from the Edna Manley School of Visual Art in Kingston, Jamaica, and then moved to the United States to attend school at the Connecticut Institute of Art, Greenwich, CT, graduating in 1991. He maintains a studio at Grounds For Sculpture. www.autinwright.com

Autin Wright Abstract Wood Sculpture I, 2011 Black walnut and tinted epoxy 34” x 17” x 17” Starting bid: $5,720 An abstract exploration of forms in wood.

Autin Wright Abstract Wood Sculpture II, 2011 Black walnut and tinted epoxy 34” x 17” x 17” Starting bid: $5,720 An abstract exploration of forms in wood.